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.BEGIN VERBATIM

Example 75a
.END
.CENTER
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.fill INDENT 12

	However, the D%4F%1 chord which broke the continuity is most simply
heard as dominant to ↓_A_↓'s sixth degree, ↓_f_↓%4S%1.  It must be noted that the 
absence of emphasis in the first two bars makes immediate recognition of
the functions of all but the first tonic ↓_E_↓ very difficult.  Until more
is heard any chord may be dominant, subdominant, or tonic, etc.  When
the phrase is complete -- and thus has developed points of emphasis -- these
distantly related chords are retrospectively assigned functions in terms
of the end results.  The f%4S%1 chord serves as VI to ↓_A_↓ (Example 75a);
↓_f_↓%4S%1 is tonicized by the progression from the fourth to the sixth chord
(Example 75c); and the f%4S%1 chord is IV%4FF3%1 (g%4F%1) to ↓_D_↓%4F%1 (Example 75b).
↓_A_↓ has been tonicized by the first three chords, but the A chord also 
serves as %4FF%1VI (B%4FF%1) to ↓_D_↓%4F%1 (Example 75b).

.BEGIN VERBATIM

Example 75b
            







Example 75c
.end
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